Heart on XM - Artist Confidential

11/30/07

Ann Wilson brings along Nancy and the members of Heart to play their take on rock 'n' roll classics belting out songs ranging from "Immigrant Song" to "Dreamboat Annie." When they rock, they rock; and when they roll, they roll. A packed house at XM's Performance Theater engages Ann and Nancy with love and questions spanning their long career as the first women in rock.

Go here to hear a sample from this show!

This is the show that Heart did in early October (for those who were lucky to see it up close and personal!). The show/performance will air on XM Radio on December 3.

Thanks Magic Man!

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Ann Wilson on Extra tv!

11/29/07

A recent piece done on Ann Wilson will air all this weekend (Dec 1 and 2) on Extra's Weekend Show.

Check www.extratv.com for all local listings in your area for time/date.

Thanks Magic Man from the Heart camp!

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Rounder Records Article

An insightful article about Ann Wilson's Record Label

Rounding out Rounder

Boston.com
by SARAH RODMAN


What do quirky rockers Ween, homegrown tween pop sprites Girl Authority, and Led Zeppelin front man Robert Plant have in common? They all released music through Rounder Records this year.

While Ween and Plant, who recorded an album with Rounder mainstay Alison Krauss, are among the most recent high-profile signings, they are hardly the only offbeat names to find a home at the Burlington-based label this year.

Sprinkled in among the 200-plus releases are the dreamy second effort from actress Minnie Driver, a comeback for '80s pop star John Waite, and a solo debut from Heart singer Ann Wilson, which includes appearances by Wynonna Judd and Rufus Wainwright, among others.

That's one eclectic roster that would appear only tenuously tethered to Rounder's venerable 36-year history as purveyors of traditional roots music. This is the home of bluegrass, country, Americana, Cajun, blues, folk, and world music, right? How did Ween get in there?

"A bunch of people have brought this up lately, and I'm glad that the recent signings are calling attention to it, but I think it's really something that's been happening for almost 40 years," says Rounder's director of A&R, Dave Godowsky. He points to various times in the label's history when it would simultaneously release albums of Ethiopian music, Alan Lomax field recordings, and records by George Thorogood and Jonathan Richman. "I think it's really no different that we're putting stuff out like the Plant/Krauss thing or Ann Wilson or Ween. I think we're just getting more successful with them as time goes on."
link

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Heart Backstage 1978

11/28/07

hijinx078 has posted some great footage of Heart backstage in 1978 on youtube.

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New Hope & Glory Video

A mini documentary about Ann Wilson's solo album is now on the Amazon.com website. Ann discusses the songs and artists that brought it all together. Producer Ben Mink and others are also interviewed. Watch it here.

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NewsOK.com Review

11/26/07

Heart: 'Dreamboat Annie Live'
By Brandy McDonnell
NewsOK.com


Sisters Ann and Nancy Wilson prove they still know how to rock with a live performance of their 1976 debut album.

"Heart: Dreamboat Annie Live” is the first release in Shout! Factory's new DVD/CD series "Legendary Albums Live” featuring bands performing their seminal albums live.

The DVD includes raucous versions of the hits "Magic Man” and "Crazy on You,” and also the wistful title track, the folksy ballad "How Deep It Goes” and the mesmerizing "Soul of the Sea.”

The show was recorded in April at the intimate Orpheum Theatre in Los Angeles. The Wilson siblings confirm that they have lost none of their talent, passion or intensity. Nancy's fingers are as skilled and speedy as ever, and Ann is still capable of wailing a powerful siren's song.

They are not afraid to experiment: Nancy plays rhythm sticks and harmonica and Ann wields a megaphone and flute on "Sing Child.”

The Wilsons get great backing from guitarist Craig Bartock, keyboardist Debbie Shair, bassist Ric Markmann, drummer Ben Smith and the Stockholm Strings.

A documentary on Heart's musical history precedes the performance.

The band closes with entertaining and seemingly effortless covers of Led Zeppelin's "Black Dog” and "Misty Mountain Hop,” Pink Floyd's "Goodbye Blue Sky” and The Who's "Love, Reign O'er Me.”

Extras: Fan interviews and photo gallery.

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New Tour Dates

New tour dates have been announced and are as follows:

Human 08 Tour

2/14 West World of Scottsdale - Rodeo
Scottsdale, AZ

2/22 Gibson Amphitheatre @ Universal City Walk
Universal City (Los Angeles), CA

2/23 Riverside County Fair
Indio, CA

2/24 Wells Fargo Center for the Arts
Santa Rosa, CA

3/29 Universal Studios Florida - Mardi Gras
Orlando, FL

3/30 Cruise for a Cause
Tickets and more information for this date available at Olivacruises.com

Want to put Heart on your desktop? Click here for a band photo. Just right click on the picture and choose 'set as desktop wallpaper.'

The Heart Monger Blog is also now back from a small hiatus, sooner then expected :).

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Blog Hiatus

11/18/07



The Heart Monger Blog will be taking a hiatus for the Holidays. Santa might be bringing a new computer for me, and I will also be switching to a higher speed internet. Working in retail also means a lot less time for me this time of year. The new year is just around the corner, and hopefully more exciting news about the upcoming new Heart album and more tour dates will be released. Thank you to all the Heart fans for visiting and all the wonderful support. Have a great Holiday season and see you in the new year! Click on the Heart banner above to order Heart: A Lovemongers Christmas, that is what I will be listening to this Christmas! :)

I will be able to check my email, so feel free to email me at ronnie7311@msn.com

peace
Ronnie

Until then, visit the Official Heart Website and the best fan Heart site there is, the Heartlinker.

Here is Blue Christmas by Ann Wilson, Happy Holidays!

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Honda Odyssey Viking Commercial

Animated airbrushed van gods bring life to the new Honda Odyssey, with the Heart 1977 track Barracuda. Thanks Heart Monger ShellyHeartFan!

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myLifetime Ann Wilson Interview

This is an article that appeared on the myLifetime.com website on October 1st. Ann gives some interesting insight into her views on the world around us and the ideas behind her solo album Hope & Glory.

Here are a few questions and answers from the interview.

Why did you decide to do almost all cover songs for your first solo album?
I just think it was pretty thrilling to get to sing these songs that I’ve loved, some since I was a kid. I think a lot of times, people make solo albums and they take songs that weren’t good enough to be on the main band’s album. And then nothing happens [with the album] because it wasn’t that good in the first place. There are exceptions, of course, like Stevie Nicks and other people who’ve had brilliant solo careers outside of their bands. I chose to do these covers because when you stand them all up and put them together, they make a powerful statement about the times. They all resonate even though they come from different eras.

You’ve probably seen it all while touring. But what never ceases to amaze you when you go out on the road?
The level of musical camaraderie within our band. We just don’t have a bunch of people there punching a time clock. We have people who really want to play with Nancy and me, and are on an amazing level. The other thing that amazes me is that the audiences are so loyal. It’s really sweet.

How do you think the music industry has changed since you first started?
I can’t think of anything that’s changed for the better. But then I don’t work in the nuts and bolts of the industry. I’m an artist. There may be lots of things that I don’t hear about that may be wonderful. I think expectations for young female artists are incredibly high. Sure, there’s more room for them now than there used to be. But they’re expected to look like actresses, dance like professionals and it doesn’t particularly matter that much if they can sing because that can all be altered now with technology. Some of these young women are just asked to be so much, and that must be really hard.

How do you take care of your voice?
I drink a hell of a lot of water. I don’t smoke anything. I take a megadose of buffered vitamin C three times every day. I credit that with [enabling] me to do four shows in a row, and we haven’t changed any [musical] keys. We’re still doing the songs as they were written.

What advice do you have for working moms like yourself who have to spend time away from the kids?
The best advice is to take your children with you if you can. Even if it’s a little bit boring for the kids, at least the family is together. The kids may actually get to see things that they don’t normally get to see. If you can’t take your kids with you to work, then you better have some darn good people at home making sure that the ship stays afloat. And set a certain time every day to call your children. Move heaven and earth to make sure you talk to them every day.

What causes or social issues are most important to you?
I’m a total peacenik. I think we should be out of the war. It’s a complete disaster. It’s really upsetting. Another thing that bothers me is dogfighting because I’m such an animal person. Dogfighting represents the worst side of human nature. It drives me insane.

What’s next for Heart?
We’re just getting going on the new album right now. It’s still very formative. Nancy has a big idea for it to be a concept album having to do with our family, our parents and our story.

Read the complete interview here.

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Bend Weekly Review

11/16/07

Arts and Leisure: Heart's beat goes on with live 'Dreamboat Annie' concert
by David L. Coddon
Bend Weekly


"Dreamboat Annie's" comin' 'round the bend again.

The 1976 album that introduced the rock 'n' roll world to a rockin' sister act - Ann and Nancy Wilson's Heart - has turned 31 and gone multimedia. The Wilsons performed "Dreamboat Annie" in its entirety in April at L.A.'s Orpheum Theatre. Resulting from that show was a concert CD and an accompanying DVD, "Heart: Dreamboat Annie Live," which was just recently released.

In addition to the chronological performance of "Dreamboat Annie," the DVD offers encore footage of Heart covering, among other songs, Pink Floyd's "Goodbye Blue Sky," The Who's "Love, Reign O'er Me" and a couple of tunes from a band that's inspired the Wilsons from the beginning, Led Zeppelin: "Misty Mountain Hop" and "Black Dog."

If your memory needs refreshing, "Dreamboat Annie" is the record that featured Heart's popular "Magic Man" and "Crazy on You," plus the lilting title song. The album was an FM radio hit, reaching No. 7 on the national charts, and brought guitarist Nancy and vocalist Ann to the forefront of women in rock.

"It was our calling card, the first big imprint of our band," recalls Nancy Wilson. "It had a lot of elegance, but it also rocked pretty hard for the time. Although when you hear it these days, it seems very tame. The production values of the day were a lot different. There weren't so many bells and whistles. It was really warm and sweet, built for vinyl."

Continued here.

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The Neverending Story

11/15/07

The Neverending Story Gets Seattle Stage Adaptation; Rock Group Heart Pens Music
By Adam Hetrick
14 Nov 2007


The beloved children's novel "The Neverending Story" will make its stage debut featuring music from the rock band Heart.

Seattle Children's Theatre will present the stage adaptation by David S. Craig as part of its holiday line-up. The production will open at Seattle Children's Theatre Dec. 7 and will continue through Jan. 27, 2008.

Michael Ende adapted his novel for the popular 1984 screen adaptation, which has spawned several sequels and a large following.

Seattle Children's Theatre worked with Ann and Nancy Wilson of the rock band Heart to create several original songs, including "Don't You Fall," which will be featured in the production. Among Heart's popular hits are "Alone," "All I Wanna Do Is Make Love to You," "Magic Man," "These Dreams," "What About Love," and "Nothin' At All."

Read full article here

Here is a link to the Seattle Children's Theatre

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Celine Dion covers "Alone"

11/13/07

Although many Heart fans already know that Celine is covering the song Alone on her new album, it has been debated whether Celine could top Ann Wilson's version.

Here is part of a review from The Boston Globe.

- Along with the schmaltz, Dion has always included uptempo pop, rock, and dance ditties in her album mixes. (Think "I Drove All Night" and "River Deep, Mountain High.") So even though she may get a little more zippy here, "Taking Chances" doesn't represent any sort of bold new direction. Truly bold decisions aren't generally made by a lineup of hired guns with a proven track record of success, like Perry and the album's other writer-producers, many of whom Dion has worked with before.

Take, for example, Dion's cover of Heart's pop-rock anthem "Alone." Enlisting former Evanescence guitarist Ben Moody adds little; in fact, the carbon-copy arrangement doesn't pack as much windswept melodramatic punch as Dion's own "It's All Coming Back to Me Now." Great vocal, terrific melody, a fine rendition, but "Alone" is already indelibly stamped by Heart's Ann Wilson. (link)

Here is part of the Montreal Gazette review.

- Taking Chances is the wrong title for Celine Dion's new English album. Adding watered-down Bollywood rhythms, using a few computer-generated vocal effects, referencing The Beatles, and covering one of Heart's hits is about as risky as sitting at your desk. Alone, a string-laden cover of Heart's 1987 hit, is one of her most bombastic. Yes, Dion sings the heck out of the song, but she doesn't come close to matching the raw emotion of Heart's astounding Ann Wilson, one of the most overlooked female vocalists in rock.

Here is Celine Dion singing Alone and Taking Chances at Saturday Night Divas on 3rd November 2007. I agree with The Boston Globe, Ann Wilson made this song her own, and I don't see any singer topping Heart's version.


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Blogcritic Review of Dreamboat Annie Live

11/12/07

Music Review: Heart - Dreamboat Annie Live
by Coryluscontorta
Blogcritic Magazine
November 11, 2007


If your knowledge of Heart extends no further than the power ballad years, ("These Dreams" "What About Love?", "Alone"), you owe it to your love of good rock music to get hold of the new live recording of Heart's seminal 1976 debut Dreamboat Annie.

It was originally written by the twin creative force of sisters Ann and Nancy Wilson and went on to sell loads of copies. The sisters were only 22 and 26 at the time and they created a little niche for themselves as female rockers in a musical tapestry fashioned from yarn of disco-divas and Joni Mitchell-a-likes.

Wind forward to Los Angeles, April 2007, where the band reprised its first album in its entirety. In the first of series of similar releases of pivotal albums performed by well known bands Shout! Factory has released the DVD/CD of that concert.

Dreamboat Annie Live quickly dispels any doubts about Ann's ability to recreate the vocal performances of her youth. If anything her voice is better; bluesier, ballsier.

Admittedly, I've just finished reviewing Ann's excellent solo effort, Hope and Glory and that album had given me something of a foretaste for the enduring strength and passion of her great voice. It excels when it's driven hard on songs like "Crazy on You" and "Magic Man;" tunes which prove beyond a doubt that Heart rocked as hard as their male fronted counterparts.

However, Ann's voice is a beast she has tamed, and for the gentle folk-tinged title track "Dreamboat Annie" (of which there are three versions throughout the album), she harnesses her power to deliver a measured and melodious performance.

If you ever questioned Nancy's guitar abilities (surely some mistake) then you absolutely must play the DVD. It's one thing to hear it on the CD, quite another to watch her throw the corresponding shapes on the DVD.

These women are in their 50s for goodness sake, but you wouldn't know it to watch Nancy. Like her sister, she can turn down the volume too; the acoustic intro to "Crazy On You" is really quite beautiful, no wonder it’s a fan favourite.

Most of the songs are faithful reproductions, except jazzy "Sing Child" which has been given a new lease of life with an arrangement provided by the Stockholm Strings. This welcome change elevates the song from the original, since this is the only track which could have dated badly, but it escapes that fate with the welcome tinkering.

"Mistral Wind" is in the latter third of the album, a Heart song from a different album, Dog & Butterfly. It is one of the highlights of the album, moving tempo from the gently sung opening, rising malevolently into a wailing crescendo of a track. The strings are there, the guitars are there, Nancy is there and playing like the rock star she surely is and Ann is there, belting out in heartfelt glory. A wonderous encore.

Further encores are provided courtesy of the rich collage of artists from the '70s that helped to shape Heart's musical style. They perform cover versions of Pink Floyd ("Goodbye Blue Sky"), The Who ("Love, Reign O'er Me") and of course, Led Zeppelin. A female Robert Plant? She could be: But the originals of Black Dog and Misty Mountain Hop remain the best; perhaps the band needs to be a little more addled and dirty. However, the songs are done no disservice in their reproduction on this CD/DVD, no disservice at all.

The DVD contains bonus features. Interviews with the Wilson sisters introduce the music, adding context to the performance of this 31 year old album. There are further interviews with those individuals who attended the concert, a little superfluous perhaps, but it's good to see how well they are loved by their fans.

With two copies of this album, Dreamboat Annie Live and its 31-year old forebear, sitting on my computer desk, I know which I prefer. Both are excellent, but I definitely like my beautiful Heart songbirds a little aged — this live album wins my vote.
(link)

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Barracuda on Guitar Hero 3

11/10/07

Here is a peek into the video game Guitar Hero® III: Legends of Rock. One of the songs that players can rock out too and try to play in this game is Heart's Barracuda.

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Heart Live from The Mountain

11/9/07

Ann and Nancy recently did a radio interview for a Seattle Radio show called The Mountain. The interview itself is actually very light hearted, and Ann and Nancy are in fine spirits. They joke around quite a bit and share some juicy details. Heart is in the beginning process of their next studio album. According to Ann "it is beginning now...and should be out the end of next year." The songs were mostly acoustic with some keyboards in some parts. This band sounds amazing in such an intimate setting, and of course Ann sounds fantastic. By her voice you wouldn't be able to tell that Heart had just come off the road from a long tour.

The songs they performed were War of Man, American Tune, and Sand. War of Man is a Neil young cover from Ann's solo album Hope & Glory. American tune is a Paul Simon song that can only be found on iTunes. Sand is a song that Ann and Nancy did when they had their side project The Lovemongers. According to Ann this song might appear on the next Heart album, which is rumored to be a sort of concept album.

This show can be streamed on the radio station's website in their archives here.

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103.7 The Mountain

11/8/07

11/8 - Ann and Nancy Wilson of Heart perform live in the "Mountain Music Lounge" at 3:15 p.m. Thursday on KMTT- FM/103.7. link

Every afternoon at 3:15, John Fisher steps into The Mountain Music Lounge for a live performance and revealing conversation with an emerging artist or a longtime Mountain favorite.

We've been hosting Mountain Music Lounge sessions for nearly 15 years, and we share them every weekday on the Mountain. Catch a brand new live set -- or a highlight from the past -- afternoons at 3:15 on 103.7 The Mountain.

Every year we put together a collection of these performaces on CD, and sell it Western Washington Starbucks stores. Live from The Mountain Music Lounge, Volume 13 is slated to go on-sale Tuesday, September 25, 2007. link

This show will hopefully be archived on their site so those who miss it can go back and listen.
Thanks BadAnnimals from the Heart boards for this tip!

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Seattle Weekly Benaroya Review

11/5/07

Ann, Nancy, Alice, Matt, and me
by Gavin Borchert

Probably not many audiences are as eclectic than the one which gathered Friday in Benaroya Hall for Seattle-raised, L.A.-based composer Matt Messina's annual fundraiser for Children's Hospital. Fervent fans there only to see Matt's rockstar special guests mingled with old friends and family; hospital staff, board members, and donors joined a handful of Matt's industry colleagues who flew up for the day. I myself randomly ended up sitting next to Jeff Marx, one of the composer/lyricists for Avenue Q; that sort of thing generally doesn't happen at Seattle Symphony subscription concerts.

But then few concerts are as eclectic. This was the tenth year Matt's offered up a selection of his original pop-orchestral instrumentals as pegs on which to hang a crowd-pleasing variety show. Full disclosure: I assisted Matt with orchestration and part preparation for his first concert, and it's been astonishing to see them grow to the point of selling out the 2600-seat Benaroya. Of, course, having Ann and Nancy Wilson and Alice in Chains on hand helped, alongside the Northwest Symphony (under Anthony Spain) and the Northwest Girlchoir; two tango dancers (uncredited in the program, and I didn’t catch their names) and guitarist Andre Feriante; Aaron Straight on didgeridoo and dance troupe Dance Contemporary; Michael Shrieve, original drummer for Santana, and Taylor Carol, one of Children's success stories. As a showman, Matt is someone who considers sensory overload and take-no-prisoners sentiment a good starting point. You have not had your heartstrings tugged until you’ve heard a 12-year-old leukemia survivor sing, with full orchestral and choral backing, a song of his own composition, dedicated to the doctors who cured him, titled "True Courage."

Unannounced, the Wilsons strolled casually on stage for their numbers (John/Taupin’s "Sixty Years On," followed by "Seasons"), sounding fabulous and looking, at 57 and 53, absolutely cooler than cool, setting off an audience love fest that sent great perfumed clouds of affection wafting toward the stage. Alice in Chains, headlining the second half, also did two numbers. One I have no idea what it was (and I didn't catch enough of the lyrics to be able to Google them), but you’d probably recognize it: it was that song of theirs that quotes in one of its licks the opening do-re-fa-mi motive from the finale of Mozart's "Jupiter" Symphony. You know, that one. The second (as even I recognized) was the indestructible "Kashmir," with the 30 strings of the NWSO churning out that Morse-code repeating bass line (in grad school, we called it a passacaglia) and the NWGC soaring over William DuVall’s lead vocal. Spectacular. Quote of the night: when Jerry Cantrell threw fans a handful of souvenirs, DuVall came back wryly with "I think pick-tossing at the symphony is hysterical."
link

See a couple more photos from this show here.

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Symphony Legacy @ Benaroya Hall

Heart Monger ibrian from the Heart boards posted this great review. Check out some photos from this show here.

This was an entertaining & interesting evening for a very worthy cause, the 10th anniversary concert for Children's Hospital. The performance was inspired by the question, "What do you leave behind?" Matt Messina was the composer (humorous guy!) and there were over 200 musicians, including the Northwest Symphony Orchestra, the Northwest Girlchoir, an Australian Digeridoo performer and a patient performer named Tyler Carol from Children's Hospital. Tyler beautifully sang his own song called "True Courage" which received a rousing standing ovation.

Ann & Nancy came on stage a little prior to mid-point in the show as the symphony started into "Sixty Years On" from Elton John's self-titled album. (I think it's his first album). Nancy accompanied perfectly on acoustic guitar and gave Ann cues on when to come in on the song, as Nance was watching the composer and orchestra. It was beautiful to see Ann & Nancy taking in the brevity of the moment throughout this moving performance. Excellent job by all! For those who don't have it, you can pick up "Sixty Years On" on iTunes; you'll hear why this was a captivating choice, because of it's prominent orchestral arrangement. "Sixty Years On" segued into "Seasons" with the opening chords by Nancy....fantastic! You can, of course find this song on "The Road Home" or on the rare Friends album from Elton John. Another Elton John/Bernie Taupin gem.

Alice In Chains were something else! The band were also clearly basking in the glory of performing with such an amazing group of musicians. (However, I think they were a little non-plused by some very unrelenting and noisy fans, but they even took that into stride). Whereas Ann & Nancy
turned in a beautiful and relatively tranquil performance, AIC rocked the rafters off of Benaroya! I saw a little old gray haired lady up in the balcony, plugging her ears! I loved how surreal that was! ;-) The boys in AIC played "Whale & Wasp" as well as "I Stay Away" from the Jars of Flies EP, the only EP to have made it to #1 on the Billboard charts as the show program noted. The orchestra added a lot to the discordant, yet exquisite Whale & Wasp, and the NW Girlchoir was wonderful on I Stay Away at the end of the song. I never saw so many young girls look so sad, tho! Nice to see Mike Inez...he was very in his element! Scotty Olson sat in on acoustic guitar too. He really annoyed me though, as he looked right at me and asked if I wanted a guitar pick after the show and as he came straight up to me, proceeded to give the two people on either side of me the guitar picks! He sure has a rock star ego for someone who occasionally sits in with the band! I really didn't understand his behavior as he has been quite nice to me in the past and I have always been complimentary and nice to him! Weird?! (oops! on a footnote, guess I wasn't very complimentary there!) Jerry Cantrell's acoustic guitar was auctioned off...he signed it on stage, then one by one, the rest of the band signed it too...Nancy even jumped in on the action and signed the guitar just as it fetched $6500!!! Then AIC and all of the other 200 musicians launched into Kashmir! Holy ----!

Of course, all the Heart fans probably kept thinking Ann & Nancy would join them, but AIC aptly carried the song the whole way through for what was surely one of the highlights of their career.
William Duvall did a very credible job singing, as well as passionate, but I have to say I really do miss Layne and as it was the first time I saw AIC without him, it was naturally a bit of a shock for me to see someone else singing in his place. I mean, can you imagine Heart without Ann Wilson...no way! I pretty much feel that way about Layne too. AIC isn't the same without him, but I do believe the rest of the band more than deserve to play the music they love and helped create, and they did seem to be enjoying what they were doing. Not to mention it was for an excellent cause; even the old lady who plugged her ears, was cheering AIC when she saw how much Cantrell's guitar fetched!

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Halloween Show Video

On October 31st, Heart performed at The Red Robinson Show Theatre in Coquitlam, BC. There is some good video footage of them doing the songs Magic Man,Little Queen, Barracuda, Black Dog, Love Alive, Alone, Crazy On You and Straight On. Check them all out here.


Heart at The Red Robinson Show Theatre in Coquitlam, BC
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Leader-Post Hope & Glory Review

11/3/07

Heart's Wilson sings about hope
Jeff DeDekker
The Leader-Post
Saturday, November 03, 2007


After more than 35 years in the music business Heart's Ann Wilson finally has come out with a solo album and it was definitely worth the wait. Wilson fashioned the album around the theme of war and its ramifications and the result is a thought-provoking gem. Of the album's 12 songs, only one is an original tune -- "Little Problems, Little Lies," which was penned by Wilson and Ben Mink. The other 11 songs are a cross-section of covers from the likes of Elton John, John Lennon, Lucinda Williams, Pink Floyd, Neil Young, John Fogerty and Led Zeppelin.

Another twist Wilson brought to the disc was the inclusion of duet partners. In addition to her sister Nancy, Wilson is joined on the album by Elton John, kd lang, Wynonna, Gretchen Wilson, Alison Krauss, Deana Carter, Rufus Wainright and Shawn Colvin. Amazingly, each of these artists meld perfectly with Wilson and bring depth and emotion to the album.

"Little Problems, Little Lies," which is told from the point of view of an American soldier dying in Iraq, is a powerful song with powerful lyrics: "Here I lie a'bleedin'/in a bombed out SUV/No more cell reception/No more light to see." "Where To Now St. Peter," with Elton John, "We Got To Get Out Of This Place," with Wynonna, and "The Immigrant Song" are prime examples of Wilson's attempt to make sense of the world.

Wilson's hope for the album is that it would give people something to think about. Mission accomplished.
link

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The Ottawa Citizen Article

'70s rock sisters still play with Heart
Heath McCoy
The Calgary Herald
Saturday, November 03, 2007


Nobody who thinks about the group Heart actually pictures a band. Instead, we immediately think of the two sisters ever at the forefront, Ann and Nancy Wilson.

Serious rock babes in the '70s, they brought us such imminently memorable FM staples as Barracuda, Crazy On You and Magic Man. Tarted up and teased in the '80s, they became a power ballad hit machine with the slick, MTV pop of What About Love?, These Dreams and Never. And, in a turn that was a lot less successful commercially, they stripped away those frills in the '90s, performing for a time as a folk-rock group, The Lovemongers.

When we imagine the Wilson sisters, any of these incarnations may apply. What doesn't apply is a whole lot of controversy. But that was not always the case. When Heart's first album, Dreamboat Annie, was released back in 1976, rumours spread across the rock world that the Wilsons were witches.

"Yeah, there were some really strange stories swirling around us then," remembers singer Ann Wilson, 57. "Of course, it was all totally bogus. There was another rumour that the Magic Man (as in the song) was really Charles Manson and that we gave all the money we earned from playing to try and free Charlie."

"I think it's because back then Fleetwood Mac was really happening and there was Stevie Nicks with her (White Witch) image. I don't have any disregard for people that are witches, but that was never us."

But Ann is quick to add: "I think any woman who was kind of uppity back then might get called a witch."

By uppity Ann seems to be referring to that strong feminist archetype, which is not something that immediately comes to mind when we think about Heart, though perhaps it should. After all, the very idea of two women fronting a band in the macho hard rock arena was rare in the '70s.

The sisters faced plenty of disrespect in their early days.

When the Seattle rockers got their first big break in 1976, signing on with the Vancouver-based Mushroom Records, one incident in particular soured Heart on the company. Mushroom released a full-page ad featuring the Wilson sisters posing together, bare shouldered, with the suggestive caption: "It was only our first time." The implication was that they were lesbian lovers. "It pissed us off," Ann says. "It was sleazy and unnecessary.

"There was all kinds of disrespect for us then. A lot of not being taken seriously. Guys would say to Nancy: 'You're a good lookin' chick. Is that guitar really plugged in?' And she's up there with her fingers bleeding. It was really insulting."
link

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Union Tribune DBA Review

11/2/07

Disc puts new spin on group's '76 album
By David L. Coddon
UNION-TRIBUNE CURRENTS WEEKEND EDITOR

November 2, 2007

“Dreamboat Annie's” comin' 'round the bend again.

The 1976 album that introduced the rock 'n' roll world to a rockin' sister act – Ann and Nancy Wilson's Heart – has turned 31 and gone multimedia. The Wilsons performed “Dreamboat Annie” in its entirety in April at L.A.'s Orpheum Theatre. Resulting from that show was a concert CD and an accompanying DVD, “Heart: Dreamboat Annie Live,” which was just recently released.

If your memory needs refreshing, “Dreamboat Annie” is the record that featured Heart's popular “Magic Man” and “Crazy on You,” plus the lilting title song. The album was an FM radio hit, reaching No. 7 on the national charts, and brought guitarist Nancy and vocalist Ann to the forefront of women in rock.

“It was our calling card, the first big imprint of our band,” recalls Nancy Wilson. “It had a lot of elegance, but it also rocked pretty hard for the time. Although when you hear it these days, it seems very tame. The production values of the day were a lot different. There weren't so many bells and whistles. It was really warm and sweet, built for vinyl.”

Re-creating “Dreamboat Annie” for the Orpheum concert, Wilson says, was challenging. “We hadn't played a lot of those songs in a while. There's one song, called 'Sing Child,' that Ann is just not a fan of anymore. She just thought it was kind of like a bar-band song. I tried to 're-translate' it so Ann might consider redoing it.

“It turned into one of the better moments of the show because it is so different (from the original '76 recording).”

Read the entire article here.

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Hour.ca Hope & Glory Review

11/1/07

Hope & Glory
Bugs Burnett
Hour.ca
November 1st, 2007


The aptly titled Hope & Glory is Wilson's first-ever solo album, and it's a great one: In the wake of 9/11, Katrina, Iraq and the cultural war with the religious right in Bush's America, this 12-track album features well-chosen covers by, among others, Bob Dylan (A Hard Rain's a-Gonna Fall), Neil Young (the standout War of Man), Lucinda Williams (Jackson) and Led Zeppelin (Immigrant Song). There are impressive guest star turns by Elton John, k.d. lang, Wynonna, Shawn Colvin and Rufus Wainwright, as well as by Wilson's sister Nancy (the other half of Heart). Produced by Ben Mink (Feist, Barenaked Ladies), Hope & Glory is a beautifully recorded, homespun album of crunching guitars, fiddles and honky-tonk piano from a rock'n'roll legend trying to make sense of her world.

4 stars

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